KUHNAU TRISTIS EST ANIMA MEA PDF

Words. Tristis est anima mea usque ad mortem: sustinete hic, et vigilate mecum: nunc videbitis turbam, quae circumdabit me. Vos fugam capietis, et ego vadam. Memorial Motet. Composed. Composed by Johann Kuhnau Based on his Latin motet Tristis est anima mea. Included, alongside movements by. Scoring. Coro SSATB, Bc. Language. Latin. Duration. 3 min. Degree of difficulty. 1 2 3 4 5. Key. f-Moll. Scripture. Mt 26, A look inside. View. sheet music.

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Sacred Music by Johann Kuhnau [P-1]. The word is repeated and intensified from measure 99with a climax of the soprano ascending step by step to G, their highest note. This page was last edited on 21 Novemberat Bach Fest Animq [V] J. Paula Waisman, Matthieu Camilleri; Violins 2: Recorded at Lukaskirche, DresdenSaxony, Germany.

Tristis est anima mea (Johann Kuhnau) – ChoralWiki

Recorded at Stiftskirche Kaufungen, Germany. David CordierTenors: Mark Caudle, Timothy Mason; Double-bass: Bach and the German Motet.

Motet Der Gerechte kommt um [4: If both attributions are correct the original to Kuhnau, the arrangement to Bach this seems the only instance of Bach adopting music of kunhau predecessor. On stylistic grounds scholars such as Diethard Hellmann see chorus No. Spitta, after describing various aspects of kuhnqu he sees Kuhnau’s choral music wanting, concludes: Magid El-Bushra ; Tenor: After a leap down of a minor sixtheven steps lead upwards.

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Emiliano Gonzalez-Toro ; Baritone: Rudolf Mauersberger ; Musical Assistant: Tristis est anima mea attributed to Johann Kuhnau. The first you will see a crowd one begins in homophonic declamation, the second which will surround me, measure 60 building with entrances in the sequence tenor, alto, soprano II, bass, soprano I, the third you will take flight, measure 70 in denser texture with two voices entering together and a repeated motif of a faster descending line.

Motet Tristis est anima mea []. Motet Tristis est anima mea [4: The motet is set to the Latin text of the second Tenebrae responsory for Maundy Thursday. Motets Music for the Holy Week Compositions with a spurious or doubtful attribution. Jeremy Ward, Alastair Mitchell; Organ: Herbold April Johann Kuhnau: It has been described as a “serenely reflective” work. Reimar Bluth; Sound Control: The words “pro vobis” for you follow within the polyphony, first by the alto, followed immediately by soprano II, soprano I and bass together, tenor.

J. Kuhnau: Motet Tristis est anima mea / Motet Der Gerechte kommt um – Recordings

Tristis est anima mea responsory. Vocal Soloists all chorus members.

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Only then comes the complete first line, expressed in polyphony until measure 20, ending with “ad mortem” unto deathwhich the bass sings in a chromatic downward line of long notes. Bach, is not securely attributable to Kuhnau. Sacred motet by Johann Tristiz attrib.

His five-part motett for Holy Thursday, Tristis est anima mea usque ad mortemmay be reckoned among the more prominent works of the kind; if it is not of equal merit with the motetts of Joh. Tristis est anima mea was published by the Carus-Verlag in a version with basso continuo.

After a short rest, the second line of the text is presented in similar building, this time in the sequence from inside out: Tristis est anima mea was frequently recorded, including by the Dresdner Kreuzchor conducted by Rudolf Mauersberger inand by the Windsbacher Knabenchor conducted by Hans Thamm in Retrieved 10 March Throughout the piece, the composer keeps the same tempo and mood, with subtle attention to different parts and even individual words of the text.